Heartstrings Presents Kenyan Playboy from 2nd OCTOBER 2012

you have seen them in the awards winning flick ‘Nairobi Half Life’ showing in theatre in town, now come have an experience of the same in the return of Kenyan Playboy II…next week at Alliance Francaise…featuring the best of Kenyan talents on stage…YOU CANT AFFORD TO MISS IT!….

Heartstrings Kenya presents the gut-crusher

“Kenyan Playboy”

2nd OCTOBER 2012

This comedy, Kenyan Playboy, will arguably be the most controversial look at the approach Kenya gives riches and wealth.
A Kenyan will pay 20000/= yearly school fees in painful installments but ironically manage to buy a phone worth 80000/= without blinking.
This gut-crushing comedy will hilariously look at a Kenyan’s journey of Rags to Riches.
It will take us through the journey of a Kenyan pursuit of riches and hilariously so, prove that we do not know what to do with the riches after we get it.

Comedy: “Kenyan Playboy”.
Directed by: Sammy Mwangi and Victor Ber
Dates: 2nd – 7th October 2012
Venue: Alliance Française de Nairobi
Times: 6.30pm weekdays, 3pm & 6.30pm weekends.
Tickets: 500/
Contact: 0721 608 656

Kenyan Playboy II

Meet the Author: Phyllis Muthoni

Interview by Faith Oneya

Phyllis Muthoni is the author of the poetry book ‘Lilac Uprising ‘ . Her poetry has variously been described as fantastic, thrilling, inspiring by poets such as Stephen Partington and Khainga O’Okwemba.She is passionate about motherhood, leadership and organizational development. She unwinds by reading a lot of fiction , exercising , playing the guitar and making jewellery.Phyllis talked to LC about her reading, writing and interesting childhood.

LC: What did they call you as a child ?

PM: I resisted all attempts at a nicknames. I can’t explain what it was; maybe I just liked my name as it was. On occasion I allowed my grandma to use call me Gathoni the diminutive form of Muthoni.

Phyllis Muthoni

LC: What was the naughtiest thing your mother caught you doing as a child?

PM: One day (in a spate of juvenile madness, I imagine) I made fun of a disabled boy in the neighbourhood. He reported me to my mother. She was about to have my hide when I remembered my small sister was away visiting my grandma. I lied that it was my sister who had made fun of the boy. By the time she returned the dust had died down. It took a long time for my sister to forgive me.

LC: What are your fauvorite books?What kind of books do you read?

PM: Poetry and fiction are my daily bread. I have about seven volumes of poetry that travel everywhere with me. Ted Hughes is my favourite poet of all time. I love also the ‘new’ Kenyan poetry: Stephen Partington, Ngwatilo Mawiyoo, Sitawa Namwalie, Tony Mochama, Njeri Wangari and many others. I currently exploring poetry from the USA and Eastern Europe. Some of my favourite fiction authors include Margaret Atwood, A.S. Byatt, Muthoni Garland, Doreen Baingana, Jose Eduardo Agualusa, and Cormac McCarthy.

LC: Have you ever fallen in love with a fictional character?Tell us about it.

PM: It is hard not to love the characters I meet in novels and films. Some of my favourites include Yentl and John Thornton (North and South).

LC: What inspires your writing?

PM: I am inspired by life, by possibility. I think when you look at a society like ours, it is easy to become hardened and cynical. I strive to keep my heart open to everyday miracles such as the kindness of random strangers, who I believe are angels in disguise.

LC: Please share a few lines from your favourite piece( From what you have written)

PM: Poetry is like children – it is extremely hard to pick up a favourite. The following are from an unpublished poem titled ‘The Words we Use’

There is a tiger on the prowl

We have workshopped its gleaming teeth

And tied its paws with pretty cloths

Sightings inspire debate, not terror

It hunts in our neighborhoods and alleys

We know it so well

It is one of us

Domestic like dishtowels

Kittens, spices, and violence

We feel safe.

LC: What is your greatest fear?

PM: Losing my soul.

LC: Share something about yourself that nobody knows?

PM: I am not sure there is anything about my life that only I know – bits of my life are scattered in people’s hearts. However, here is something very few people know: I have an irrational fear of  caterpillars and safari ants.

Phyllis Muthoni’s book ‘Lilac Uprising’ is available at ;

1.       Text book centre Junction

2.       Text Book Centre Sarit

3.       Uchumi Langata

4.       Uchumi Sarit

5.       Uchumi Capital Centre.

6.       Bookpoint Moi Avenue

7.       Wells Bookshop Lifestyle.

8.       Moi University Bookshop Eldoret

9.       Silverbird Westgate

10.   Savanis Westgate.

11. Wells Bookshop

One Day I Will Write About This Place: A Launch And A Celebration!

Written by : Oluoch Madiang

Blog:http://madiang.blogspot.com/

Follow him on Twitter: @African_Owl

 

Billy Kahora: ‘This is not a French novel, it is simpler!

Binyavanga Wainaina and I first met at The Courtyard, Nakuru in 2005. He had a laptop, I had a pencil and paper. He had a bag, I had a pocket. He smoked and drank and ate. I drank and ate. He was schooled at Moi Primary School, I schooled at Flamingo Primary School. It is amazing that he would start his memoirs with a domestic soccer masquerade. For Flamingo Primary School used to beat Moi Primary School 14-0 in the Central Zone of the Nakuru Municipality Ball Games. Sometimes only 13-0! After that, we the children from Lower Nakuru would hound Binya’s Chuta mates, remove the handkerchiefs tying their hair and rob them of the ice-cream and chevra that they ate as they spoke English during the match. We at Omingo bordered the Lake Nakuru National Park and boasted the Lesser Flamingos while Binya’s Moi Pri. Sch. bordered the Menengai Crater and feasted on President Toroitich Moi’s Orbit Chewing Gum whenever he called on them. Anyway, Courtyard it was and I ate Belgian Ghoulash as I listened to Binya going on and on and on about how we should write and that Nakuru had stories to tell. He smoked more, ate his choma and hit the keyboard faster. He seemed to think as fast as his typing. And I took my pencil and wrote more lines of the play, Then We Were Fools No More!

 

Cool: Eric Wainaina and Just a Band

It is gratifying to now witness Binyavanga’s realization of his memoirs, ONE DAY I WILL WRITE ABOUT THIS PLACE. I celebrate his courage and persistence over time and the fact that this boy from upper Nakuru who watched his English speaking team being shredded apart by our Omingo bigheads, now mobilizes the writing community in Kenya to collectively share his victory over the blankness of our literary spaces. He opens a new front with this memoir and in a sense becomes a maverick of new tradition of Kenyan prose and style.

Moi Primary & Flamingo Primary

And so as I travelled from Kisumu to Nairobi to visit with him on his big day, I mused at the tenacity of a writer, the love of the pen and the staying power that Binyavanga has exhibited over time. In truth, he is slowly becoming a monument of the contemporary Kenyan writing and kicking the door of conservative appreciation of literature in Kenya down. His push for the ‘urban method’ (for my lack of better nomenclature) opens the field of literary composition to a huge base of young Kenyans who would, otherwise, not have ventured to express themselves and their experiences.

Binyavanga adoring his best so far!

During his launch interview, Binya proclaimed that, ‘…Books didn’t interrupt life, rather, life interrupted books’. In a way, it is a relief and a welcome breakthrough, that Binya’s writings and the KWANI? Trust have interrupted the rigid understanding of literary appreciation and expectation of yore and have excited a new patronage by young Kenyan writers whose blogging and micro-blogging, spoken words, book clubbing, open-mics, poetry, music, dance, fusion and all manner of artistic expressions are now affording Kenyans, cheaply and at an amazingly unboring frequency, a participation in diverse life’s experiences, excitements, joys, loves, laughters, sex, beer, war, materialism and masturbations!

Binya: “Accordions and beards were this scary I tell you!”
THAT handwriting. Eh my brother!

Watching and listening to Binyavanga during the launch, I finally came to the conclusion that Binya the kid who dreaded accordions and beards, Binya the boy who had a woeful handwriting, Binya the tentative and young writer who had naively fashioned his writings to what he imagined were the styles and renditions that gave white people a kick had finally blossomed into a man – a writer who had mastered his acceptance to write and express himself as he willed and as he was talented to, and freed readers (all white, green, brown, black, yellow and pink) to construct their own meanings and interpretations. He had achieved the necessary arrogance and heroism that Kenya needed to spur it’s creatives into reaching out and grabbing the possibilities that all along had lay ahead of them. I couldn’t but marvel and think, ‘Behold The Binyavanga; Africa, Kenya is coming!’

Finally liberated! Go forth and explore.
Contemporary Kenyan writers/readers.

With ONE DAY I WILL WRITE ABOUT THIS PLACE, Binyavanga’s boldness of exploration has finally emancipated a wandering generation of Kenyan contemporary writers, parting for them the Red Sea of rigid and torturous school-literature and ushering them into the amazing Canaan of free, exciting and in-sync chronicling of the imaginations and experiences of now.  In the end we parted ways at The Courtyard, satisfied with the food and the creativity, and moved out to the world to share our interpretations of the experiences that were nurtured in Nakuru. May the books break now…!

Opinion: Is Kenya Ready To Embrace Prostitution?

Written by Eric Otieno

On the week that begun on Sunday 13thJune, 2004, I set out on a journey to Nairobi on foot from Mlolongo. Not that I was out to enjoy the dry landscape that surrounds the area, but I was running away from home, completely hopeless at life and tired of everything that was happening around me. My heart was messed up. I was all pale, turning 16 that Tuesday but I just wanted to die. With my walk-man in my pocket and the Sunday Nation in my right hand, I braved the tormenting distance, numb to the realization that I was really harming myself. I had been expelled from school at the time. I felt lost, and the constant quarrels with my parents only added salt to injury.

On this day mum quarreled me over my failure to fetch fresh water. We still had a challenge in getting the commodity those days in Mlolongo. I was on the wrong, but I hated the fact that she raised her voice to the roof each time she was unhappy with something. It was nagging. I had grown up that way but had never learnt to get used to it. So I decided to run away from that life, hence my on foot journey to the city. I never wanted anyone to know where I was going. The only money I had in my pocket was the twenty shilling coin that mum had given me to buy water with.

With a wrist watch on, I started out from around 5pm, focused on the road, of course very much aware that I had made a very nasty decision. I had no time to care. All I wanted was piece of mind – some peace.

It took me four good hours to reach the Nairobi Central Business District. It was just about to hit 9pm and I had not stopped to rest anywhere, after that grueling twenty kilometer walk. I felt like my legs were on fire. The city centre was scarcely populated, being a Sunday night. I was not hungry at all, perhaps out of the anger that boiled up in my stomach. The rest of that week was a perfect whirlwind.

I turned myself into a street boy without a single trace of regret.  I felt I was free, free from the top voice scenes that made my eardrums scream. Nobody bothered me except the police on patrol who interrogated me once in a while. I felt happy, or at least shortly, but I sure felt the sense of freedom. I survived on milk and snacks shoplifted from supermarkets around town. Yes, it was that bad.

June is a cold month in Nairobi. I found a resting place just below Loita House. But I hardly rested. The wonderfully lit streets could not let me sleep. I walked through uptown, marveling at the beautiful scenes of light that unfolded right in front of my eyes. I had never seen anything like it. You would think I was this boy who had been damped in town fresh from the village. Tell you Alicia Key’s song with Jay ZNew York, makes a lot of sense to me.  And then in the mélange of my escapades, my feet landed me on Koinange Street…

I came across these fleshy lasses covered up in miniature garments. Of course I had heard about them before, we had just never met. It intrigued me that the Holy Family Basilica Catholic Church stood right at the end of the street, just a few meters from where these beauteous ladies plied their dirty trade. I felt that was so ironic of life. I was scared inside, as I silently passed by them, thinking to myself that my father would kill me had he known where I was. They stood in groups, one after another, laughing out to the night, waiting for clients who mostly came in sleek cars. I realized just how much night life is fast. These were things I was witnessing for the first time, and at a very tender age.

Just as I thought I had passed them, I heard a soft voice call out,

Niaje boy! Mbona kukunja sura hivyo?’ (Young boy, why the stone face?).

I obviously knew I was the one being referred to so I tried to smile back at the direction where I heard the voice come from. They went on to ask me to stay with them instead of walking aimlessly. A request to which I could only oblige. Next thing I knew, I was already making friends. So I hang out with them during the nights. I did not understand why they liked me, but I felt a sense of belonging when I was with them. Perhaps because we all seemed to be lost, or were at least looking for something that was not found in the ordinary life. They could protect me each time the guards came to ask what I was doing sitting around there.

‘Huyo ni wetu’ (He is ours), they would say.

But each time the City Council van showed its skin or they heard rumors that the police were around, they would flee like scared birds, and I’d be left alone, ‘naked’. I saw a number of them get caught. They would show up again a few hours later, I think after bribing the askaris.

They told me how hard life was in the cold. That they did not like the fact that they had to do that job so I shouldn’t view them as evil women. That some of them were actually married and even had children, but their husbands did not provide for their families so they had to look for alternative means to sustain things. Life was crazy. It was funny seeing them report to ‘work’ in decent clothing before changing into their ‘work attire’. It was furthermore scary, but I came to realize that commercial sex workers are just normal human beings like the rest of us. They too have feelings and worries. They are learned and have a conscience too. But they need our help.

I am totally against that sort of life.  It certainly is hazardous for anyone and everyone who indulges in it. How sad it was to see young, beautiful women getting wasted in the streets in the name of earning a living.  Surely, dignity is greater than that.

If you thought that the trade only goes on in uptown, then you’re very much mistaken. Things get thicker but cheaper once you move to downtown. I saw it all.

That was eight years ago. I can only imagine what sort of a mammoth the trade has evolved into today. Well, I got out of the streets after some time. It’s another dramatic story altogether. These are my testimonies which I hope to tell people someday, that God can never let you go if He has plans for you in the future. We shall talk about it another day. I look back and ask myself what happened to those women. Are they alive?  Are they still in it? Are they okay?

Nairobi mayor, George Aladwa, has been the talk of town lately. He made a statement recently citing that the City Council of Nairobi could review the laws concerning prostitution and its legality. Of course it did not go down well with majority of Nairobians, and you can be very much sure the rest of the country too, since we honestly do not want to follow the likes of the Netherlands and some parts of the USA. At least not for as long as Kenya remains in Africa.

While the mayor insists that the idea is only as far as a proposal, many Kenyans have imprudently interpreted it as already legalized, while protests against the vice rage on.

It is a fact, prostitution is very much thriving in Nairobi, and its roots are as deep as those of the Mugumo tree. It is impossible to phase it out by mere laws. The actions and strategies needed to dislodge the network must involve the sex workers themselves, and in goodwill for that matter. Nobody would like their daughter, friend, or wife to end up trading their body in neither the streets nor anywhere else.

But to begin with, does everyone agree that prostitution is a problem? Is Kenya really ready to embrace it yet? And while others take it as a human right, is it truly right? And will it even end either? Depending on your thoughts about these insights, what role can you play on an individual level to help out? Which way will you take, and why?

Whatever your decision, be Kenyan, true to your roots.

Theatre Review: The Good, the Bad and the Kenyan

Reviewed by Faith Oneya

If there is anything that Heartstrings Kenya has a flair for, then it is for expertly playing on Kenyan stereotypes as is evident in the most recent show that promised to “shutter our guts”. If the reaction from the audience is anything to go by, then the production lived up to its promise.

In characteristic style, the play begins with a narrator, this time the able Allan Weku, who regales the audience with hilarious

Allan Weku, the narrator

anecdotes of being Kenyan. Of particular note is his narration of his internet dating experience, a story delivered so expertly to an appreciative audience that one cannot help but conclude that this man has carved a style that works for him  despite having to fill the role previously played by the larger than life Larry Asego and the seasoned thespian Obilo ‘Mkame’ Ng’ongo .

In the first scene, we see Kenyans at a funeral where women and men alike come to show off (cars, clothes) and eat. One after the other, the actors recount funerals they have been to where there was good food…or where there was not and even go on to discuss what people would eat at their own funerals! Paul Ogola (who also plays the role of a father, teacher and a husband) carries this scene and impeccably delivers punch line after punch line, constantly leaving the audience in stitches.

The funeral scene with Paul Ogola(Far Right) working his magic

As the different scenes unfold and the style of using Kenyan stereotypes gains currency, it becomes evident that the play is not just about stereotypes. The directors of the play offer the audience an opportunity to laugh at themselves while reflecting on the deeper meanings of the ridiculous scenes borrowing heavily from contemporary Kenyan societal ills: From rotten politics, to the increasing suicide rates, unscrupulous preachers , corruption among Kenyan policemen, strikes  and youth unemployment.

The set of the play, in true improvisation theatre style that Heartstrings subscribe to, is devoid of any elaborate props, with the most being a table and chair one corner, which the narrator uses from time to time. The set also benefits from an eager cartoonist who uses chalk to draw freakish cartoon characters on the walls of the stage. Different catch phrases on the cartoons in keeping with  the ‘Kenyanness’ theme.

Students on strike!Paul Ogutu(far right) in his role as a school boy

Other noteworthy performances in the play come from Humphrey Maina (who also acts in a local TV production ‘Papa Shirandula’ and Paul Ogutu. Humphrey plays the roles of a father, a hustler and a preacher effortlessly and Paul Ogutu puts on convincingly hilarious Luo and Kisii accents first as a ‘hustler’ and then as a school boy.

If you are looking to unwind and laugh your head off or ‘shutter your guts’ this weekend, then this is the play for you.

Directed by : Sammy Mwangi and Victor Ber

Conceptualized by :Dan Ndambuki aka Churchill

Venue: Alliance Francaise
Times: Weekdays 630pm. Weekends 3pm & 630pm
Charges; 500/
TICKET SUPER HOTLINE:  call 0721608656

Bestselling Books of 2011

Written By Faith Oneya

Perhaps you have been thinking about what books to read next, which ones to buy as presents for the New Year, or maybe you just want to know if you have read any of the books that have made the list! Literary Chronicles has seen it fit to end the year by highlighting some of the bestselling books of 2011 in Nairobi city.

The compilation  has been as a result of research conducted at major bookshops in Nairobi. The list is based on the books that elicited the highest sales by December 2011.

LC did not include any school set books for obvious reasons. The concentration is also on adult books as opposed to children’s books.

The bias of the article is on Kenyan authors though there was not much to go by with booksellers admitting that books by Kenyan authors generally registered very low sales. The Kenyan(or rather global citizen) that has maintained consistently high sales through the years remains Ngugi wa Thiong’o.Kwani Trust publications have also dominated the market over the last couple of years thanks to their formidable distribution network and contemporary, cutting-edge and quality work.

In the Kenyan / human style, where heroes are feted after their demise, Wangari Maathai’s books also registered high sales after her death in September 2011 perhaps in a bid to immortalize her.

Self-help books by renowned motivational speaker Pepe Minambo among others also seem to be popular and the “preferred stock” of Kenyan writing for some bookshops.

Award-winning Nigerian Writer Chimamanda Ngozi Adichie remains a force to be reckoned with as her books literally “fly off the shelf”.

As expected, booksellers register more sales from foreigners (Read: White folks) than from Kenyans. This makes one revisit the words: ‘‘If you want to hide something from an African put it in a book’ and ponder on its grains of truth. That, however, is a discussion for another day.

Novels and Short Story Anthologies

v  Half a Yellow Sun-Chimamanda Ngozi Adichie

Kwani? African Fiction Omnibus

v  On Black Sister’s Street-Chika Unigwe

v  Purple Hibiscus-Chimamanda Ngozi Adichie

v  Say You are One of Them-Uwem Akpan

v  Son of Fate -John Kiriamiti

Songs of Enchantment-Ben Okri

v  The Stone Hills of Maragoli-Stanley Gazemba

The Thing around Your Neck -Chimamanda Ngozi Adichie

v  To See the Mountain and other stories (The Caine Prize for African Writing 2011)-Kwani Trust

v  Tracking the Scent of My Mother-Muthoni Garland

 Memoirs, Biographies and Auto-biographies

v  Broken to be Made Whole-Winnie Thuku

v  Can Scars Become Stars?-Catherine Gitonga

v  Dreams in a Time of War-Ngugi wa Thiong’o

v  In my Dreams I Dance -Anne Strike

v  Left to Tell(Discovering God Amidst the Rwandan Holocaust) by Immaculee Ilibagiza with Steve Erwin

v  One Day I will Write about this place –Binyavanga Wainaina

v  Tale of Kasaya: Let us Now Praise a Famous Woman  -Eva Kasaya

v  Unbowed-One Woman’s Story-Wangari Maathai

v  Wahome Mutahi’s World-Longhorn Publishers

Self-Help

v  Anyone Can Win -Murori Kiunga

v  Be Inspired before you Expire -Pepe Minambo

v  Breaking Protocol (Street Wisdom)Rahab Gikaru

v  Challenges of Starting a Business and How to Overcome Them-Murori Kiunga and Muriithi Gituma

v  How the Rich Make Money and Keep it by Murori Kiunga

v  How to Become a Lifelong Financial Success-Manyara Kirago

v  How to Save Money for Investments-Ken Monyoncho

v  Inspired for Greatness-Pepe Minambo

v  The Art of Entrepreneurship- Mukuri Kunga

 

Creative Non-fiction

v  Nairobi 24(An exploration of a city by photographers and writers)-KWANI TRUST-Sponsored by Goethe Institute

v  Dead Aid-Dambisa Moyo

v  How to Write About Africa-Binyavanga Wainaina

v  Kenya Burning-(Magoro Baada ya Uchaguzi)-Kwani Trust

The Challenge for Africa-Wangari Maathai

v  Re-Membering Africa-Ngugi wa Thiong’o

v  The Peculiar Kenyan-Sunny Bindra

v  Living Memories-Al Kags

v  Kizuizini-Joseph Muthee

v  How To be a Kenyan-Wahome Mutahi

Literary Journals

v  Kwani?Hung’arisha Haswa-Africa’s best creative writing-Kwani Trust

v  Kwani?Vol.2 Badala ya Aerial Ekeni Sufuria Niwape Food ya Ubongo-Kwani Trust

v  Kwani?2 Kwani Trust

v  Kwani?Vol.6-Kwani Trust

Poetry

v  Cut Off My Tongue-Sitawa Namwalie

Special Thanks from LC  to the Participating bookshops.

Savanis Bookshop Westgate
New Media bookshop, Westgate
TBC Sarit Centre
Bookstop Yaya Centre
Wells Bookshop
Bookpoint Limited
Stanley Bookshop
Prestige Bookshop